Showing posts with label Richard Burton. Show all posts
Showing posts with label Richard Burton. Show all posts

Monday, March 28, 2011

A degree of separation from Elizabeth Taylor not close enough...

By Jim Heffernan 

I often think of things in terms of degrees of separation – from me – when famous people are in the news. Geraldine Farraro dies; well, I have met Walter Mondale many times, she was his running mate, therefore, while I had never met her, I’m one degree of separation away.

Spending a lifetime in journalism, even in Duluth, offers the opportunity to meet a lot of prominent people, mainly in politics and the arts, as they inevitably find their way to Duluth at some point in their careers. I met quite a few in my years as a newspaper reporter and, for a decade, entertainment writer.

I’ll cite just two examples of people so well known and internationally connected that through them you can be one degree of separation from just about everybody worth being a degree of separation from. I had lunch with the late actor Gregory Peck when he passed through Duluth in the 1970s, opening the door for one-degree separation from just about everybody prominent in Hollywood going back to the 1930s.

And, as with just about every journalist in Minnesota and the country, meeting Hubert Humphrey opened the door to a degree of separation from anybody who’s anybody in American politics in the last half of the 20th century. The same is true of Mondale, of course.

Then there’s Elizabeth Taylor, who died last week. I am a degree of separation from her, probably through Gregory Peck, but more closely through a friend of mine who entertained her at his home, and whose wife felt threatened by the actress’ attentions to my friend.

Such was the power of Elizabeth Taylor.

The contact took place in the 1980s when Taylor was married to U.S. Sen. John Warner of Virginia. My friend was president of a private college in that state, and, with his wife, hosted the senator and his wife – Taylor -- at a dinner in the college president’s residence on campus.

The Warners were charming, of course, according to my friend. Everyone was charming, you’d expect. But my friend’s wife, when recounting the story of the visit, was clearly irritated by Taylor’s attentions to my friend. She described how Taylor took my friend’s arm and walked closely with him as they moved into the dining room, and other attentions Taylor seemed to be paying him, in spite of the fact that Taylor’s husband, the senator, was right there.

It wasn’t serious flirtation, of course, and probably the way Taylor acted one-on-one with everyone she engaged with socially. But what amused me about hearing the scene described was that I’d always thought that my friend somewhat resembled Richard Burton, one of Taylor’s previous husbands. Not a shocking resemblance, but a suggestion. They simply looked somewhat alike – to me at least.

Did Taylor think so too? Who knows? Nothing more came of it, of course, other than an interesting conversation with my friends over gin and tonics.

Oh yes, and it assured me one degree of separation from Elizabeth Taylor. Not close enough, but it’ll have to do.

Thursday, August 19, 2010

Orpheum/NorShor recollections...

Orpheum Theatre Superior St exit, circa 1929
(Superior St. exit later became NorShor entrance) 
The renewed interest in Duluth's historic Orpheum Theater, the four walls of which encase today's NorShor (what remains of it), is brought on by the 100th anniversary of the Orpheum's opening, well covered in today's (Aug. 19) Duluth News Tribune (read Christa Lawler's stories HERE and HERE).

I am quoted in one story and provided a photograph of the Orpheum's former presence on Superior Street, which served as the theater's exit (the entrance was on Second Avenue West) throughout it's 30-year history, and became the NorShor's entrance after the the conversion was completed in 1941. That conversion reversed the entire theater 180 degrees, with the NorShor's screen on the end of the auditorium where the Orpheum's balconies had been. That meant the Orpheum's stage was approximately where the NorShor's existing lobby is.

My quote recalled seeing the blockbuster movie "The Robe" at the NorShor when I was a sophomore in high school in 1954-'55, and was singled out by me in pointing out that the NorShor had such a big outer lobby huge crowds could, and did, line up indoors, although there were times -- and "The Robe" was one of them -- when eager moviegoers filled that lobby, then snaked out onto Superior Street and down the block.

"The Robe" is largely forgotten today, but it was a phenomenon when it was released. It was based on a runaway best selling book by Lloyd C. Douglas and told the fictional story of what happened to the robe Christ wore on his way to his crucifixion. It starred Richard Burton in an early screen appearance, possibly his first. Burly Victor Mature played the gladiator Dimitrius.

The movie was also the first filmed in a then-new and exciting wide-screen process called "Cinemascope."

It was THE movie of the year, and perhaps the decade, although just a couple of years later a black-and --white movie called "Blackboard Jungle" showed up and forever changed American popular music ("Rock Around the Clock") and to some extent filmmaking.

The arrival of "The Robe" in Duluth was such an anticipated event that the NorShor theater operator persuaded the public high schools to release students who wanted to attend the opening matinee. That's when I saw it. Who would choose to stay in school when you could go to a movie?

So, to state the obvious, the public schools released students from classes to go to a movie depicting the crucifixion of Christ and its fictional aftermath. You will never see that happen again, but, hey, it was 1954. Oh, and make no mistake about this: They didn't release us to see a matinee of "Blackboard Jungle." --Jim Heffernan