Showing posts with label DECC. Show all posts
Showing posts with label DECC. Show all posts

Friday, August 20, 2021

How it was in Duluth when Elvis was here...

Written by Jim Heffernan for the Duluth News Tribune /August 20, 2021

Elvis Week ended in Memphis three days ago, and I missed it again. The annual event at Elvis’ mansion Graceland marks the anniversary of the singer’s death.

 

It’s been 44 years; it’s longer than he was alive. He died on Aug. 16, 1977 at the age of 42. Most notable for Duluthians is that he performed in the Duluth Arena twice not long before he died — Oct. 16, 1976, and April 29, 1977.

 

As arts and entertainment writer for this newspaper at the time, it was my responsibility to “cover” the Elvis visits. I have written about this before, but I thought I’d summarize some of my memories, and add some not mentioned before, one last time — almost on the anniversary of his death.

 

Glancing over what I just wrote, I realize I hadn’t bothered to include his last name: Presley. He’s so well known it’s not really necessary.

 

I well remember the day he died. I had a small office in the corner of the newsroom and one of the copy editors, responsible for monitoring the wire services, stuck his head in my doorway and said, “Elvis is dead.”

 

Bombshell. Bombshell to my generation (which is essentially Elvis’ generation) and a bombshell to me, because I had so recently covered the iconic rock star on his visits here. I got pretty close to him at his performances and once standing in his presence as he sneaked into the Radisson Hotel in the dark of night through a service entrance.

 

There were about a dozen people outside the hotel entrance when he alighted from a black Cadillac with his girlfriend and walked over to the non-public doorway. He stopped briefly and just locked at us with a slight smile before he turned and walked into the hotel to board a service elevator to his room. He’d reserved three floors, reports claimed. His plane, the Lisa Marie, was at the airport.

 

I guess I was standing about six feet from him at that moment. Many years later I stood six feet above him at his Graceland grave.

 

I was not a rabid fan of Elvis like a lot of people of my generation. We were in high school when he suddenly emerged on the popular music scene from “Heartbreak Hotel” and forever changed it. I thought he was pretty cool and liked his songs, but I never bought a recording or went to his movies.

 

Still, it was exciting to cover his Duluth visits for the paper. Back in those days, the newspaper reviewer of just about every concert or show was given what were called “ducats” — free tickets. Not Elvis. It seemed like the Elvis people didn’t want press coverage. Wouldn’t even talk to us.

 

As was the practice in those days (but no longer), no way were we going to buy tickets — we’re the free press which means we get in free; it’s in the Constitution isn’t it? — so I contacted Joe Sturckler, then manager of the Duluth Entertainment Convention Center (DECC) and made a deal. He would meet me and a photographer at a pre-arranged remote entrance and sneak us in. But, he said, if Elvis’ people caught us and threw us out, he could do nothing.

 

Elvis’ people didn’t catch us, but we didn’t have seats, all reserved. The result was we stood — right down in front at the side of the stage located on the east end of the Arena. We mingled with the mob of audience members who would run up and down the aisles to get pictures or a closer look at their idol. One teenage girl near us at the first concert fell and appeared to break her leg.

 

It was pretty much the same for both concerts. Sneak in. Work our way down to the stage and watch the spectacle. Elvis’ show was largely the same both times too. He had several warm-up acts, and then mounted the stage to great fanfare music (“Also Sprach Zarathustra” by Richard Strauss, the main theme of the film “2001: A Space Odyssey”) wearing an ornate white jumpsuit with a wide belt around his ample midsection. He spoke quite a bit and performed a passel of the songs identified with him. You know them. They are the soundtrack of mid-20th Century America.

 

I think both reviews — reports really — I wrote of the concerts survive in various corners of the Internet. I haven’t seen them lately, but I always remember that in the last one — about four months before he died — I wrote that he looked quite healthy. Hmmm. I didn’t go to med school.

 

By that stage of his life, he had gained quite a bit of weight, and it was noticeable. But he gave the audience what they came for, including passing out sweat-soaked scarves and bestowing a few kisses on quite a few of the rapturous women who made it to the edge of the stage just below him.   

 

Both times, when his hour in the Duluth spotlight was up, he sang one last number, turned and dashed for a waiting vehicle on Harbor Drive and a short ride back to the Radisson.

 

A deep-voiced announcement echoed through the hall: “Elvis has left the building.” (He might have said “arena,” can’t remember.)

 

In many decades of reporting, the Elvis visits are among the most memorable. Maybe THE most memorable. In retrospect there is a sense that it was a brush with modern American cultural history.

 

The famous orchestra conductor and composer Leonard Bernstein (“West Side Story” and much more) once said “Elvis Presley is the greatest cultural force in the twentieth century.” Beatle John Lennon once remarked: “Before Elvis there was nothing.”

 

Well, there was Beethoven, but, yup, Elvis was something.


For more on Elvis in Duluth, check these links HERE, HEREHERE.

 

Jim Heffernan is a former Duluth News Tribune news and opinion writer. He can be reached at jimheffernan@jimheffernan.org and maintains a blog at www.jimheffernan.org.

Sunday, July 31, 2016

Remembering the birth of the DECC fifty years ago...

Today the Duluth News Tribune paid homage to the upcoming 50th anniversary of the DECC (formerly known as the Duluth Arena-Auditorium). I was a fledgling reporter in 1963 covering the beginnings of what later became the Duluth Arena-Auditorium. A few years later, in August of 1966, I covered the events of the gala celebration week of it's grand opening. I was asked to recount some memories of that time for the Duluth News Tribune and my recollections are included in a column in today's special DECC edition of the paper. You can read the column HERE.

Pictured to your left is a photo of an event held in the arena that celebration week. I, Voula (my fiancé at that time and now my wife) sat across the table from our long-time friends, Dave and Karen Erickson now living in Denver Colorado. Many TV and other celebrities were also in attendance.

Pictured (right) is an old post card 10 years later (1976) showing the Arena-Auditorium with the Curling Club/Pioneer Hall addition (to the right of the original structure. Docked at the Arena pier on the St. Louis Bay is the Norwegian Training Ship, the Christian Radich of Oslo. A couple of years ago, I was able to again visit that ship docked at it's home in Oslo.

The DECC complex has, of course, expanded and changed in subsequent years. Read more about the 50th anniversary in today's DNT HERE.

Thursday, December 30, 2010

Jack Benny in Duluth at first anniversary of Arena-Auditorium...

by Jim Heffernan
"When Jack Benny descended on Duluth in 1967 he didn’t seem that-all happy..."
Jim Heffernan (R) greets Jack Benny (9-13-67)
Photo by Charles Curtis–from Heff's attic

Don’t waste your time reading this unless you’re of a certain age, and it ain’t young. I don’t even want to guess at what age you might recognize all of the names. Well, my age, certainly

Don’t believe me? OK, Skitch Henderson. See what I mean?

But this is mainly about Jack Benny, who needs no explanation if you are old enough, although I once read a piece by Dick Cavett in which he wrote that he dropped Benny’s name to one of the Beatles – could have been John Lennon, no spring chicken himself were he still alive, but a Brit – and the Beatle asked “Who’s Jack Benny?”

Benny was brought to Duluth in 1967 to entertain at a civic celebration of the first anniversary of the opening of the Arena-Auditorium, which, at the time, consisted of the arena and the auditorium – nothing else. No Pioneer Hall, no Northwest Passage, no DECC moniker, no convention center and certainly no Amsoil Arena, having its grand opening as 2010 draws to a close. (Click HERE to view today's Duluth News Tribune story about the opening of the new Amsoil Arena.)

The revered comedian is pictured this week (Dec. 29) on the Duluth News Tribune’s entertaining web site blog, called the News Tribune Attic (click HERE), in which they cull old photos from the newspaper’s no-longer-used files (everything is electronically archived now). In a series on the early days of the Arena-Auditorium, the blog posting includes a photo of Benny cutting a large birthday cake commemorating the anniversary. Flanking him are Skitch Henderson (just Google him) and the late Monnie Goldfine of Duluth.


In the picture, Benny looks, at the very least, somber, even angry. Maybe he was not happy to be in Duluth, or not pleased to be cutting a cake, or not feeling that-all well. Who knows?

I wouldn’t bother to mention it, except that it brought back some memories for me. A News Tribune reporter at the time, I was assigned to cover the arrival of the great comedian at the Duluth airport – the old terminal, before they built the new terminal that they are now replacing.

So up to the airport a photographer and I went, with me giving the photographer strict instructions to be sure to get a shot of me interviewing Benny as a keepsake (not for publication). That’s one of the fringe benefits of newspaper reporting. And the photographer did. I have the photo – an 8-by-10 glossy of me in my tan raincoat standing beside Jack Benny, in a suit and tie, chatting, not posing.

In the picture, Benny looks, at the very least, somber, even angry. Maybe he was not happy to be in Duluth, or not feeling that-all well, or in no mood to be interviewed by the likes of me. Can’t say I blame him.

I don’t remember what he said, but I doubt it was funny. The next night I did attend his show in the Arena, and he was back in his old form. Never a laughing hyena, his style was subdued, with slow delivery and lengthy pauses as he folded his arms and looked to the right or left, himself the butt of his own jokes.

Checking Google, I see he was born in 1894 (I told you that you had to be old to care about this), so he was about 73 when he was in Duluth. He died in 1974 at age 80. Of course, to quote Benny himself, “Age is strictly a case of mind over matter. If you don’t mind, it doesn’t matter.”

Saturday, September 12, 2009

Johnny Cash remembered...

Today (September 12) marks the sixth anniversary of the death of Johnny Cash. (More information and Cash links may be found at Wikipedia by clicking HERE.) 
     
Over the years, Cash performed in Duluth often. He appeared in the Duluth Denfeld High School Auditorium, Duluth National Guard Armory (site of so many other stars passing through town–including famed Buddy Holly in his last days) and at the DECC. I had the pleasure of reviewing Cash in concert along with his wife, June Carter Cash, and members of her singing family during a performance at the DECC in the 70's. It was a magical evening and I'll never forget it. 
     
The following is a reprint of my Duluth News Tribune column just following his death and recounting my experiences as a reviewer of this concert. This writing is also included in my book, Cooler Near the Lake, in a chapter that includes a few of the famous personalities I came in contact with during my newspaper career.


Johnny Cash: Johnny Cash on the Barrelhead...
by Jim Heffernan 
     I am not a big fan of “country” music in general, although Cash, who died September 12 at age 71, seemed to be broader than just country or country-rock. Really, he was mostly Johnny Cash, and nobody else was like him.
     Fairly early in adult life, I became a classical music snob. After detours into Elvis (he arrived on the scene when I was in high school) and a brief fondness for folk music during college years, I settled into insufferable musical snobbery with almost exclusive interest in classical music.
     So while many of my peers were buying records featuring the popular performers of the day, I collected Beethoven symphonies and the works of other classical composers. Couldn't help it; I loved their sound. Still do.
     I totally misjudged the Beatles–they're way better than I thought they were when I first ignored them. Bob Dylan? With that voice? I don't think so. Luciano Pavarotti–now that was a voice.
     My musical tastes were–and generally are–what most people regard as stuffy. But there's a saying–attributed to several people–that goes, “There are just two kinds of music: good music and bad music.” It took me a long time to realize that, and Johnny Cash helped.
     Circa 1970 I was city editor of the News Tribune, and Cash 's show was booked into the Duluth Arena (it wasn't called the DECC in those days) on a Sunday night. My boss, Managing Editor Jack Fein, approached me a few days before the concert and begged me to review it.
     I told Fein I was strictly classical, but he pleaded. He had nobody else (who wouldn't demand overtime pay). So I took the two reviewer ducats and that Sunday night my wife and I went to the Johnny Cash show, somewhat reluctantly.
     It was a revelation. Of course I'd heard Cash 's big hits over the years on TV or radio. You couldn't be alive in America without being aware of gravelly voiced Cash and his music.
     On stage with him were his wife, June Carter, her sisters and their mother, Maybelle, legends themselves as The Carter Family, together with a host of backup musicians, including Carl Perkins–a legendary performer in his own right. And topping off the bill was the Statler Brothers quartet (“Flowers on the Wall,” “Class of ‘57,” “Whatever Happened to Randolph Scott?”).
     It was all wonderful, captivating, at times moving. You couldn't help but get caught up in it. The genial Cash, clad in his trademark black outfit (which the New York Times described as “cowboy undertaker”) was generous with himself and the other performers.
     Cash had appeared in Duluth many times before, including at the Duluth armory in his early days. Maybe he's been back since–I don't know. But that night 30-some years ago, when he was in his prime and he had what seemed like the whole pantheon of country music royalty with him, was pure magic.
     It helped to alter my attitudes toward music–broaden them. Surely this man, who reached so many people, was as much an artist as the composers and performers I had embraced.
     There are only two kinds of music. Johnny Cash, who couldn't read notes, made good music. So did Luciano Pavarotti, who also is reputed to be fuzzy about note reading.


Originally appeared in the Duluth News Tribune on Sunday, September 21, 2003
Subsequently appeared in Cooler Near the Lake: Fifty-two Favorites from Thirty-four Years of Deadlines (November, 2008) by Jim Heffernan

Monday, August 17, 2009

"La Boheme": An opera for people who don't think they like opera

By Jim Heffernan


Ah “La Boheme.” Such a tragic tale of unfulfilled love. Such pathos. All to the accompaniment of some of the most romantic and stirring music in all of opera.


Bring a hankie to the Duluth Festival Opera’s concert production of Puccini’s grandest opera Thursday (Aug. 20) or Saturday (Aug. 22) in Duluth’s DECC auditorium (both performances at 7:30 p.m.).


But forget the hankie during my favorite part of “La Boheme,” when cast, chorus and orchestra (Duluth-Superior Symphony) all join in one of the most festive parties in all of grand opera.


Bohemians might be huddled in a chilly Paris loft for much of “La Boheme” but there are few more joyous acts in all of grand opera (“all of grand opera” comes up a lot in discussing “La Boheme”) when the young lovers Rudolfo and Mimi join their friends, especially the lovely Musetta, in a street cafĂ© to toast … well … toast life, and maybe bum a scrap of food from some unwitting benefactor. After all, it’s Christmas eve.


That’s exactly what happens, but as the group toasts and celebrates, out steps the lovely Musetta singing the glorious aria best known as “Musetta’s Waltz.” Even in a concert presentation, it will be hard not to smile from… Well, there’s no other way to say it: Smile from ear to ear.


Smiles are not usually associated with “La Boheme,” but the party scene has always been my favorite because it involves everybody – chorus members, a children’s chorus, the leading singers and an up-volume orchestra. It can’t miss.


I’m a member of the Duluth Festival Opera’s board, so maybe I’m prejudiced, but I don’t think “La Boheme” loses much in a concert performance. It’s the music that wins the day. Besides, half of this opera is set in a drab garret, except for the great party scene and one other.


“La Boheme” is hands down the best opera for people who think they don’t like opera to find out they like it better than they thought. Musetta and her waltz – together with her flirty, devious ways – helps a lot. Go see for yourself. You won’t be sorry, except at the end, when you’ll FEEL sorry for these doomed lovers. That’s where a hanky will be handy.


Plenty of tickets remain for both performances through the DECC or Ticketmaster.